J.Yang has slummed it in the valley with the Wakefield twins; slumber partied with Huey, Dewey and Louie; joined Krakow in stalking Angela; and climbed every mountain with the Von Trapps.

Originally from San Diego, he's lived and traveled the world (okay, not all of it) in pursuit of that most elusive of targets -- inspiration.

He's authored and published a book, written for online and offline publications, and maintained a variety of popular blogs on subjects ranging from movies and technology to personal stories and amateur musings. He's just wrapped up his second book, a fiction novel for teens, and is hard at work on his third one.

You can reach him at digitaljon@SPAMgmail.com. He is BFF with his iPhone so he should answer promptly.

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No Money, No Problems  
Sunday, July 27, 2008 : 12:31 AM : 0 comments

"I keep hoping the corporations will wake up and realize that publishing is not, in fact, a normal business with a nice healthy relationship to capitalism. Elements of publishing are, or can be forced to be, successfully capitalistic: the textbook industry is all too clear a proof of that. How-to books and the like have some market predictability. But inevitably some of what publishers publish is, or is partly, literature-art.

And the relationship of art to capitalism is, to put it mildly, vexed. It has not been a happy marriage. Amused contempt is about the pleasantest emotion either partner feels for the other. Their definitions of what profiteth a man are too different."
-Staying Awake: Notes on the alleged decline of reading-

"Finally, there's the money issue. An editorial assistant at a major magazine is unlikely to make more than $30,000 a year, whereas a successful blogger right out of college could pull in as much as $50,000 -- a big difference when it could mean getting out of a bedbug-infested Bushwick loft share.

Of course, at the upper echelons of the industry, things are a bit different. A contract at a major national magazine can be worth upward of $5 a word; contract writers are generally paid a set yearly amount for a specific number of articles, or a particular word count. But freelance rates are generally much lower.

For most established but not well-known writers, $2 per word at a major magazine is standard, though usually negotiable. So even if a fledgling magazine writer were to write one 1,500-word feature a month for a national magazine -- which would in itself be a difficult feat to pull off -- he or she would be pulling in $36,000 a year before taxes. That's also assuming that none of the stories were killed or held and that everyone paid on time."
-The Decline and Fall of the Writer-

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