"You never talk about yourself, it makes me feel lonely."
-Nana K. to Nana O.-

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Geezes, what a movie. It's intense, it's serious, it's goddam a super scary story. A young couple stuck in suburbia and trapped in their lives, together but totally separate. The intensity of the fights between Leo and Kate are enough to make any veteran of relationship battles cringe and wince. If you've ever wondered what you might look like when you are yelling at your significant other, this movie pretty much shows you. It's ugly. And Leo is so manipulative with his words, turning every argument around on its head. It's so real it's crazy.

This is probably the best, most emotionally impactful, movie I've seen all year. I've dubbed it "my new Valentine's Day movie" because it feels like something I should revisit annually to remember what not to do. Fantastic film.

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I'm a sucker for anything 3D, especially if it's animated. I've even got a pair of sturdy 3D glasses sitting in the glove compartment of my car, just in case some random 3D things happens to break out. I'm a boy scout of useless things. Coraline was probably the best experience I've had with three dimensional movies actually. While you'd hardly lose anything by watching it the traditional way, I love how objects and textures pop out with the glasses on. It's worth the extra two bucks or whatever it is.

The entire movie was a charming experience. I loved the look of the film, the imagination of the sets, and the story was interesting even if the moral was a bit unclear (which isn't necessarily a bad thing). There's a lot of energetic eye candy and nothing beats hearing a random little kid saying "wow" during a particular scene. The back half of the movie could certainly be quite scary though. The young girl next to me was asked by her mom if she was scared. Her answer? "I'm terrified!" Kids are cute aren't they?

Neil Gaiman is everywhere in movies these days (MirrorMask, Stardust, Beowulf, Coraline). Not that I'm complaining.

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You gotta wonder if this movie had been released earlier, before the November elections, if Prop 8 would have been defeated. Sean Penn is indeed stellar as Harvey Milk, and the message of the movie is one that I fail to see anyone not aligning with. Then again, millions of people apparently wouldn't agree and so California is stuck in man-woman marriage hell. The overall movie was quite good (I could have done with less marching) and all the performances were spot on.

I feel like I would have enjoyed a bit more detail about Milk's campaigns and his work but that's probably best left to Internet research anyway. It's tragic that thirty years after Milk helped get Prop 6 passed ("In 1978, Proposition 6 ('the Briggs Initiative') was the California ballot measure aimed at preventing gay people and supporters from working as teachers in public schools."), California has basically regressed. And for a film that challenges as well as illuminates, it's surprising that there wasn't a bigger national reaction -- good or bad -- to the film. It feels like it sort of slipped on by didn't it?

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Stop right here if you plan on seeing the movie. I'm going to spoil a few things, if not plot details, at least the emotional ride that is best experienced first hand. To begin with, the film is incredibly engulfing. It's almost impossible not to get drawn in as you experience the childhood scenes of young vagrant Jamal and his brother, Salim. The story is structured around Jamal's amazing success at the Indian version of "Who Wants to be a Millionaire." Because he's just a street rat (scoundrel! take that!), the unctuous host hands him over the authorities for interrogation on suspicion of cheating. Great premise, interesting set up. The frenetic energy pushes the film along and you get invested into the story. All great stuff.

That's why it's so jarring when during the last third of the movie, you have to suspend your disbelief so much in order to make everything work. I felt like the movie was like the Tower of Terror, a slow rise to the top, a thrilling climax, and then a drop that makes you want to yack when hitting bottom. Character's motivations fly out the window, too many coincidences occur, and it becomes clear that this isn't just fiction but a fairy tale. And the game show gimmick tires a little bit, even if it's deftly done. I want to wholeheartedly recommend the movie and give it an enthusiastic thumbs up but the ending confused and flabbergasted me a little too much. It's still a worth a watch though.

One of our friends (who hasn't seen the movie yet) said that it was supposed to be the most convincing portrayal of life in the Indian slums. Since I don't know anything about that particular subject, I'll take her word for it because the movie did seem quite realistic in that sense.

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A seventy million dollar opening and the new blockbuster franchise is here. Twilight is already too big to be a guilty pleasure so it's really just a pleasure. I'm totally biased about this movie but I'll just put it up front, "I loved it!" The movie wasn't the greatest thing in the world, as any review will tell you, but it had enough of everything to make it a thrilling experience.

For this entire Twilight experience, I've been riding along sort of passively, covertly having discussions about it with other secret fans. Halfway through the movie, as I clasped and reclasped my hands in glee, I decided to embrace my Twilight fandom without irony, judgement, or sarcasm. See, it's not about whether the books are actually great, or if the whole thing is a carefully calculated marketing campaign, the truth of the matter is that Edward and Bella will be a romantic touchstone for a generation of tween girls and it's useless to hide from it -- even if Bella is sort of annoying and wishy-washy.

"You have the story of a young woman falling so deeply in love that she doesn't care if she dies or becomes a vampire. There is something so dangerous and alluring about it, and it all goes off in this very lush mountain backdrop. It's an obsessive love that's not that far from 'Romeo and Juliet,' or 'Titanic' for that matter."
-Director Catherine Hardwicke-

No woman will walk out of the theater not wishing she had her own Edward, forever vigilant, incredibly great looking, and a dangerous bad ass with a sparkly heart of gold. As my friend said after watching the movie, "It reminds me of what it felt like to be in love for the first time." If you allow yourself to be pulled into the vampire magic, you will be smitten, I guarantee it.

Just ignore some of the cheesy lines, the horrific special effects, the unintentional comedy, and the entire hilarity that was the baseball game. Oh wait, I'm doing it again. I can't quantify my Twilight statements with disclaimers or dismissals, I just have to puppy love it and overlook all of its faults.

I kind of want to watch it again...

Also, I'm a big fan of Kristen Stewart. Her talents are old news for anyone who's seen her movies (Panic Room, Speak, In the Land of Women, Into the Wild) but she's challenging Ellen Page for the title of my favorite young actress. I also didn't recognize Nikki Reed as Rosalie, which makes Twilight a total Thirteen reunion for her and Hardwicke.

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So the director of Silence of the Lambs comes out with a movie about a messed up, troubled, and still in rehab Anne Hathaway returning home for her sister's weekend wedding. Hathaway's Kym snipes at everyone, is desperate for attention, and basically kind of ruins everything. But it's not like she hasn't done this before. The two sisters show how you don't necessarily need to be a sociopath to rip people apart -- just family will do. They eviscerate each other with words and memories and then sorta make up and then do it all over again.

I saw the movie in a theater of older folk and I'm wondering what kind of reaction they had, or if they were expecting an entirely different movie altogether. While I can't say every minute of the film was amazing, in sum, I really enjoyed it. Jonathan Demme's use of hand-held cameras brings you closer to the characters and was an excellent stylistic choice. Hathaway is being touted for an Oscar and I think she deserves a nomination.

Overall, a film like this brings forth emotion from an audience. Some of it is yanked out of you but many of the moments are genuine. Heck, half the time you want to slap Kym and tell her to grow up, just as if you were her family. While I wouldn't necessarily recommend this to everyone, I think the film did a nice job illuminating dysfunction in people and families and I left the theater pleasantly surprised and with a lot to think about. Can't ask for too much more I guess.

There is one slightly jarring thing about the film. It's almost aggressively multi-ethnic. I'm not sure if I'm just being overly sensitive here but it looks like they really went out of their way to present the couple -- and the family -- as the most Benetton friendly thing on Earth. The sister is white, the guy she's marrying is black (although the movie poster doesn't represent that at all, on purpose?), and they're having an Indian wedding (but strangely, no Indians in attendance). The guests are a cross-section of a whole bunch of not too stereotypical stereotypes. As if to say "We're super eclectic, we have friends from all over!" When they trotted out the middle aged white mom DJ working the decks, I kind of couldn't stand it anymore. The film takes BEP's line to heart a little too much maybe. "Got black to Asian, and Caucasian saying, that's that's the joint, that's the jam."

That sounds like it would be a good thing, and it's kind of cool how the movie doesn't address it at all, but then again, it felt a little bit forced.

Another reason I was excited to see the movie was because I'm a big fan of slam poet extraordinaire Beau Sia and he had a decent sized role. I'm not sure who cast him but I love that he's getting out there. I hope his acting career takes off because that guy totally deserves it.

"If there is anyone in the entertainment industry watching me perform, I want you to keep in mind, that regardless of how you feel about the content or performance of my work, that if you're casting any films, and you need a Korean grocery store owner, a computer expert, or the random thug of a Yakuza gang... then I'm your man!"
-Beau Sia, Def Poetry Slam-

Labels: A, Movies

As the movie begins, an annoying voiceover sets the stage. Vicky and Cristina are off to Barcelona for the summer. Thus the title of the movie. Imaginative eh? Woody Allen loves to talk about relationships and this one's no different. Love triangles, open relationships, failed relationships, unrequited relationships, and unfulfilling relationships, this movie's got them all.

First off, Javier Bardem is amazing. His character here obliterates any previous association you had of him as a merciless killer or a bed-bound quadriplegic. Bardem oozes charm, charisma, and masculinity. Paired with Penelope Cruz, the two of them carry the movie. Mixed reviews about Scarlett Johannson and Rebecca Hall though. Without the benefit of interesting lines or three dimensional characters, Johannson and Hall are forced to play second fiddle even if they are the titular main characters.

Overall, the movie was really great. Whatever emotion it evokes, whatever discussions you have afterwards, however you feel about how it depicts the transitory (and deceptive) nature of romantic relationships, you'll have food for thought and a number of great laughs to boot.

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Not that I knew this, of course, but an elegy is "a mournful, melancholy, or plaintive poem, esp. a funeral song or a lament for the dead." That'll go a long way toward explaining the movie, which is about the fear of death (growing old more specifically), conscious selfishness, emotional unavailability, and a May-December romance between Sir Ben Kingsley and Penelope Cruz. Both are wonderful in their roles and they carry off the chemistry beautifully.

In sum, what I got out of this film experience was that men are bastards and it's frightening, as a guy, to see the lies -- big and small, to yourself and others -- that you can be capable of in certain situations. It all feels sickeningly familiar when thrown up on screen and highlighted, and you start to distrust yourself and hope that this isn't really something you can really relate to. But I could, and that was scary.

While the movie as a whole dragged a little bit at the end and I'd hoped for a better resolution, there are some wonderful lines in the movie and some real (ugly) truths to be discovered. Dennis Hopper steals every scene he's in, but that could partly be due to the fact that he has the lion's share of the funny/poignant lines. (Paraphrased) "Beautiful women are invisible because nobody ever really sees them."

Labels: A, Movies

On the short list of perfect marriages between actor and superhero, it's hard to say that Robert Downey Jr. and Iron Man wouldn't top the list. Hugh Jackman is Wolverine, albeit a really tall one, and technically speaking, Downey is probably shorter than Tony Stark, but height doesn't matter in movies. Screen presence does. Downey is amazing as Stark, it's that simple, but we knew he would be. More surprising was how fun Gwyneth Paltrow is as Pepper Potts, Stark's assistant. And it's wonderful to see Leslie Bibb get some movie love (I'm in the middle of watching Popular: Season 2).

Iron Man's been receiving rave reviews and I'd have to agree: it's easily the best comic book movie ever. And I say this with my chest still beating strong with love for the X-Men franchise. There's so many ways this movie could have gone wrong but it's awesome to see Jon Favreau come out on top with a pitch perfect blockbuster movie. This movie is so good that I find it hard to imagine how the sequels can match it. Downey has signed on for a trilogy so I guess we'll find out soon enough.

Also of interest: This is Marvel's first independently financed feature so they'll reap the rewards. I once owned a few hundred shares of Marvel stock at one dollar each. This was years ago when they were failing and on the verge of bankruptcy. Sadly, those shares were sold when my father passed away but it looks like now it's time to buy back in! How many shares can $100 buy me?

Labels: A, Movies

San Francisco is an excellent destination for watching films, I gotta say. How else would I have been able to catch a movie about the Los Angeles modern art scene from the late 1950s through the 1960s, embodied by the Ferus Gallery on La Cienega. While names like Walter Hopps, Ed Kienholz, and Irving Bloom didn't ring any bells -- thus the promotion of the film using more familiar names like Frank Gehry and Dennis Hopper (despite being mostly minor commenters) -- the documentary was fascinating.

I'm hardly studied in art enough to really understand abstract expressionism, installation art, or most of the actual pieces the film displayed but it doesn't matter because in the end it's about a group of people carving out a moment (if not an actual movement), much like Dogtown and Z-Boys and grabs your attention irrespective of previous expertise on the subject.

One of the things mentioned in the movie was the requirements for creating an "effective" art scene. It consisted of having artists to create, galleries to display, critics to praise, and ultimately, collectors to buy. I have often wondered why certain cities seem to have an art scene and some don't and this formula sheds some light on the linear pieces that have to be compiled to create something out of nothing.

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There's really not much to say about this movie. If you like watching humans do incredible things, then watch it. If, for some reason, movies that are inspiring and full of jaw droppingly crazy dance moves don't appeal to you, then watch this anyway and get hooked. That's really all I have to say here.

It really makes you want to break dance after you watch this movie. Like, really. I believe the film is only in limited release so check the dates for when it's around your area. Check out the trailer here. Can't wait for the DVD to check out all the unedited dances and battles.

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If there was a more perfect movie made recently, I challenge you to watch this gem for comparison. I know "perfect" is a word that's readily tossed around and the film isn't without parts that might be tweaked here and there but as far as conception, acting, direction, and execution, The Diving Bell has few competitors. Add in a script that's funny, touching, poignant, and almost every emotion you could think of, plus the fact that it's based on a very true story, and you've got a film for the ages.

The story goes like this: Jean-Dominique Bauby, editor of Elle magazine, suffers a stroke. After emerging from a coma, his body is frozen (save for his left eye) but his brain is perfectly fine -- the rare condition is called "locked-in syndrome." Eventually, after learning to communicate by blinking, he pens the titular memoir. It's an amazing tale and the movie does it justice. Definitely get out and watch this while it's still in theaters.

Labels: A, Movies

Genius. I loved this movie. Not because it was the best movie in the world but because the entire experience was something new and refreshing. You have to watch it in theaters, there's no substitute. Sure, the shaky camera work makes people dizzy, people start throwing up, whatever. If you can handle watching your cousin's amateur wedding video, you can handle this. Cloverfield has been (accurately) compared with The Blair Witch Project but it's much better in concept and execution.

Part of the genius of the movie is turning monster movie convention -- something that's been around forever -- neatly around. Instead of creating Godzilla Part 30 or some such derivative, director Matt Reeves and long time friend and partner J.J. Abrams (co-creators of Felicity) went smaller instead of bigger; focusing on the little people.

It's impossible to watch this movie without thinking about 9/11 -- the roiling dust cloud from collapsing buildings, the shaky panic shots -- but I liked that it wasn't afraid to visually reference the event. Overall, it's just a clever and engrossing film. I think it's terribly brave of Reeves, Abrams, and Paramount to put out a movie -- with some significant marketing push too -- which will automatically be discounted by people who can't get used to the handheld cameras.

Don't believe the anti-hype, go watch it in a big theater right away before it disappears.

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Everyone's calling Juno this year's Little Miss Sunshine but it's far and away a better experience. Little Miss Sunshine was saccharine drippy and disgusting to swallow. Juno is sarcastic, caustic, and filled with hilarious dialogue. What's not to like? I think Ellen Page is one of the finest actresses around -- of any age -- and she deserves to have an amazing and fruitful career. With all the positive press Juno has been getting, it's sure to win some awards. Jump on the bandwagon asap.

I'm been reading the blog of Juno's screenwriter, Diablo Cody, who's exactly my age but has done so much more. She began as a blogger, then wrote a book based on her blog, and now has a hit movie to her name. I'm green with envy -- and admiration.

"Vanessa: Your parents are probably wondering where you are.
Juno: Nah... I mean, I'm already pregnant, so what other kind of shenanigans could I get into?"

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Well, this was a first. I've watched plenty of movies by myself but never in a completely empty theatre. Like a little girl, I initially thought, "Wow, I hope this movie isn't too scary." But then like a man I strapped on a portable machine gun, readied my rocket launcher, flipped the safety off the pepper spray, and dug into my popcorn.

I'm happy to report that the movie is as good as everyone says it is. I won't even go into any plot details since it's definitely better to watch this thing with no idea what's about to happen. It's mostly a basic crime suspense thriller but done very well.

I've read Dennis Lehane's books before (but not seen or read Mystic River) and Ben Affleck does a great job bringing Lehane's world to the big screen. The movie is paced and shot well and the Affleck behind the camera emerges as the one that truly impresses. Actually, what's most impressive is Michelle Monaghan's slightly snouty nose. I mean, I feel like most actresses would have gotten a new nose long ago but now it's her cute trait, like Jewel's snaggletooth.

The movie made me feel a little discombobulated so I drove home in radio silence, with fog settling in everywhere. Which made me scoot home just a bit faster. Because, you know, real men drive fast.

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Retarded good. While 2007's not quite over, this will probably be the movie I most enjoyed watching this year. It's absurd and really quirky but manages to fill you with true emotions -- pathos, sadness, humor. Ryan Gosling (The Believer, The Notebook) is underrated, but everyone says that so maybe he's just amazing and everyone agrees? What a difficult movie to make since it could have so easily crossed the line into farce and disaster. Go watch it before it totally disappears from theatres.

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Documentaries about little niche interests have been the hottest thing for quite awhile. Crossword puzzles, Scrabble, spelling bees, etc. Inevitably the hisattention would turn to video games. While the set-up and payout for the film is pretty much as expected, it's hard to not be amused/amazed by the efforts that humans will take to perfect one thing.

It makes one wonder what you could achieve if given the same dedication. I hope someone soon contacts me to start filming "Wizard of the Coast: Jonathan and the Amazing Technicolor Deck," to be released in 2010 after I become an International Grand Champion. I'm pretty sure geek fame is worth twice as much as normal fame.

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Michel Gondry sure has an eclectic portfolio. Eternal Sunshine of the Spotless Mind to Dave Chappelle's Block Party? And apparently award-winning music videos? I'm pretty excited about his next movie too (Be Kind Rewind). But what of his most recent creation? I was really anxious to see The Science of Sleep in theatres but then skipped out after some so-so reviews.

After watching it I think I should have ignored the critics. It struck me as similar to "Waking Life," but with a plot. Actually the two movies have nothing in common except dreaming but still. The themes of this film were intriguing and Gondry is excellent at providing visual stimulus at all times.

I really enjoyed how the film unwaveringly intermingled English, French, and Spanish. Gael García Bernal is at his charming best. He's like the actor Orlando Bloom wishes he could be.

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Probably my favorite sleeper movie of all time. Nobody's heard of it, nobody's seen it, it's a great film. The only reason I even watched it was because we were trying to rent "You Got Served" and Blockbuster goofed. We got served "Melvin" instead and are better off for it.

It's a conversation movie -- based on a play -- and there aren't a whole lot of those around. My Dinner with Andre, the two Before Sunrise/Sunset movies, and that's it. It's like an ultimate DDT on film.

The amazing thing is that last night, Ameer had "Melvin" sitting in its little Netflix envelope and ready to be watched. He had seen the trailer and tossed it in his cue. Nobody knows about this movie! Except me and Ameer apparently. High-perwest indeed.

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Any movie starring Natalie Portman and Steve Buscemi -- my favorite actress and actor -- would be guaranteed to be at the top of my viewing list. This might have been their first movie together actually. Then again, the entire film is a just a series of ten minute vignettes so they actually weren't in anything together.

Let's talk about the movie. Well, go see it. That's it. It's that good. Just see it. It's pretty amazing and even if one of the bits doesn't quite work, it's over in a few minutes. Some pieces are more memorable than others, some are probably better upon a second viewing. To be honest though, I enjoyed every segment and minute of the film, which is something that can be rarely said about anything.

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David Fincher continues to churn out his unique style of movie. This one isn't quite as good as his other efforts (Se7en, Fight Club, The Game) but the reality of the situation is gripping. The movie seems like its over two-thirds of the way through but then there's another hour or so of Jake Gyllenhaal running around being scared by would-be serial killers. It's strange that "The Zodiac" actually ends up messing up most of his kills, as many of the victims are left alive. After the movie, I had to head over to the Crime Library to check out the real story.

Thank goodness the movie was good as we spent $40 on tickets and parking -- we forgot to stamp our parking ticket and we got out of the movie at 2:30am, well past the closing time. Damn me.
-Ripe Tomatoes-

Labels: A, Movies

I was psyched for this movie. Ridiculously psyched. If you like Spartans and violence, this highly stylized movie will set your neck hairs on tilt with its numerous "cool scenes." Not much plot or exposition to speak of (in comparison to say, Gladiator) and I would have wanted some trimming of the unnecssary "girl in wheatfields, I love you" scenes but hey, what can you do? Some great moments, a few laugh out loud moments (not in a good way), but mostly, a cool movie I'd watch a few times over. Go watch it in the theatre; what's the point otherwise?

I wish there was more insight and backstory into how the Spartans lived. I'd recommend reading Gates of Fire, by Steven Pressfield -- which, sadly, probably has no chance of being made into a movie now.
-Ripe Tomatoes-

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Indeed, a "fairy tale for adults." Don't bring your kids to watch this; it's no Labyrinth. This film has been touted as one of the best movies of the year and that's about right. I can't say I even had one complaint about it aside from maybe having more scenes in the fantasy realm. But it's hard to complain when everything works together so well.

I made a special effort to make sure I saw this on the big screen and I'm delighted I caught it. Watching it on a rinky dink television wouldn't have done it justice.
-Ripe Tomatoes-

Labels: A, Movies